ART RESIDENCY PROJECTS   |   ONLINE EXHIBITIONS

IDENTITIES

| MOZAIK EURO-MED ARTHUB | SEASON 1 | Episode 3

The Documentary Film

The Journey of a One-Month Art Residency in the Heart of Nature, Culminating in an Exhibition at Károlyi Palace

This video chronicles the transformative experience of the one-month art residency organized within the MOZAIK Euro-Med Art Hub project, which brought together two visual artists from the Euro-Med region.

I. INTRODUCTION

The third episode of the MOZAIK EUR-MED ArtHub project offered a transformative journey for two remarkable visual artists during a month-long residency at the International Art Colony in Csókakő, Hungary. Immersed in the tranquil beauty of the Hungarian countryside, the artists found inspiration in the serene landscape, reshaping their creative narratives and deepening their artistic reflections.

The theme of the art residency, “Identity,” holds particular significance for both artists, given their active involvement in fostering dialogue within their communities and broader societies. Palestinian-Israeli artist Ola Zaitoun, navigates the intricate socio-political landscape where questions of identity intersect with nationality, religion, and belonging. Having left her homeland amidst war and the constant echoes of bombings, found herself enveloped in the tranquil symphony of birdsong and the profound stillness of her new environment. The orchard trees with their unpicked fruits fascinated her—symbols of peace yet reminiscent of abandoned groves near conflict zones back home, inaccessible due to military presence. This surreal juxtaposition led Zaitoun to explore her role as an artist in a world filled with “unpicked fruits”—a metaphor for the growing number of artists and the challenges they face in finding recognition and stability in an increasingly saturated art market. Her two monumental canvases capture the essence of these reflections, from the elegance of Japanese-inspired nature motifs to Impressionist-like depictions of vibrant greens and luminous textures, marking a striking departure from her earlier works.

Syrian-German conceptual artist Iman Hasbani, herself a refugee creating in Germany while her family remains in war-torn Syria, grapples with issues of identity, belonging, and displacement. She was deeply moved by the surrounding forests. Exploring the interplay of shifting light, colours, and movement, she saw parallels between the natural rhythms of the trees and the challenging journeys of displaced Syrians who traversed forests and mountains seeking refuge. Her video performance Breathing, filmed in the nearby Gaja Valley, powerfully captures the tension between confinement and survival as she breathes inside a transparent plastic box with limited air—an exploration of the fragility of existence in a fractured world.

Both artists, as members of minority communities, bring unique perspectives shaped by their experiences. Through their work, they aim to challenge perceptions and prompt viewers to engage with profound questions. Both artists embraced the residency as a sanctuary for artistic growth and healing, engaging in dialogues with nature that became a refuge from fear and anguish. The resulting collection of works offers a profound meditation on identity, freedom, and resilience against the backdrop of new landscapes.

This collection stands as a testament to the enduring connection between art and the natural world, and the resilience of the human spirit amidst life’s adversities. Supported by the Anna Lindh Foundation and co-funded by the European Union, this initiative holds significant importance in promoting Intercultural Dialogue. By inviting two artists from the Mediterranean’s complementary shores, it facilitates a rich exchange of perspectives and ideas. Moreover, presenting their artwork to broader audiences enhances mutual understanding of each other’s cultures, particularly within the realm of visual arts. Consequently, the initiative targets multiple goals, expanding cultural horizons and fostering cross-cultural appreciation in the visual arts field. We invite you to explore this inspiring dialogue of artistic expressions, where personal journeys intertwine with shared human experiences.

dr. Amir A. Abdi
Head of project
Exhibition catalog in English

II. Participating Artists

BIOGRAPHY Iman Al Hasabani

 

Iman Al Hasabani (Iman Hasbani), born in Sweida, Syria, is a distinguished conceptual artist whose work spans painting, video, installation, photo montage, and performance.

A graduate of the Faculty of Fine Arts in Damascus, she transitioned from teaching theatrical scenography to exploring deeply personal and political themes in her art. Her work, often characterized by its enigmatic and refined nature, addresses issues of memory, disappearance, and the female experience.

Iman's artistic journey took her from Syria to Lebanon, where she pursued a master’s degree in psycho social support through art, and eventually to Berlin, where she continues to live and work. Her international exhibitions and residencies across the Middle East and Europe have garnered her significant recognition, including prestigious awards like the first prize at the 9th International Miniature Art Biennial in Quebec. Iman’s art, which frequently incorporates elements of her childhood memories and the figure of her seamstress mother, invites viewers into a haunting exploration of identity and trauma.

Education and Honours:

  • 2022- Masters degree at Berlin University of

    the Arts „Institute for Art in Context“

  • 2014 - 2015 Masters degree in the field of

    Social support and dialogue through art | University of Arts Beirut, Lebanon.

  • 1998 - 2003 Bachelor degree | Faculty of Fine

    Arts | Damascus, Syria

  • Weltoffenes Berlin Fellowship | Seinat

    Berlin | Germany

  • Project Fellowship | Shubbak " a Window of

    Contemporary Arab Culture" London | UK

  • First prize in the painting category | 9th

    International Miniature Art Biennial - Quebec | Canada.

  • First prize in the painting category |

    competition Alliqa - Meeting for Young Artists | Gallery Qazah- Salon Qazah | Damascus

  • Second prize in the painting category at

    the Young Artists Competition for Young Art | Damascus | Syria

BIOGRAPHY OLA ZAITOUN

 

Ola Zaitoun, born in 1987 in Kufor Kanna, Israel, is a talented Palestinian artist whose work profoundly explores themes of identity, conflict, and the preservation of Palestinian cultural heritage.

With a diverse academic background that includes a B.A. in Psychology and Multidisciplinary Studies, an M.A. in Fine Arts from Haifa University, and specialized training in art conservation, Zaitoun's artistic practice draws deeply on both personal and collective experiences. As a Palestinian woman born in Israel, Zaitoun navigates a complex political landscape, where issues of identity and belonging are central to her artistic expression. Initially serving as a mentor and art teacher, Zaitoun eventually shifted her focus to full-time artistic creation. Her exhibitions, such as "Braces" at the Janco Dada Museum and "Salons" at the Qattan Foundation, demonstrate her deep engagement with her themes of memory and healing. Her work has been recognized with numerous accolades, including the YAYA 2018 third award and the prestigious Mifaal Hapaies award, establishing her as a significant voice in contemporary art. During her creative residency in Hungary, against the backdrop of ongoing violent conflict in her homeland, Zaitoun found herself deeply moved by the tranquility of the rural village setting. This peaceful environment provided her with the space to explore unfamiliar landscapes and reflect her new reality in her art.

II. OPENING REMARKS

It was a privilege to accompany artists Ola Zaitoun, from the village of Kafr Kanna (Israel), and Iman Hasbani, a Syrian native from the city of Sweida currently residing in Germany, during their participation in the third edition of the creative residency program MOZAIK. This program, funded by the Anna Lindh Foundation and organized by the Interkulti Association under the leadership of Dr. Amir Abedi, took place in the tranquil village of Csókakő, nestled in Hungary’s picturesque countryside.

This residency was not merely a space for artistic exploration but also a profound cultural exchange. It served as a bridge uniting the geographical and historical experiences of these two talented artists. Ola Zaitoun, whose hometown of Kafr Kanna is a place of historical and religious significance within the Galilee region, and Iman Hasbani, who was forced to leave Syria due to persecution, brought to the residency their rich personal histories and shared reflections on identity, memory, and displacement.

The serene rural environment of Csókakő, surrounded by fertile land and dense forests, provided fertile ground for creativity and introspection. The artists found themselves engaging in a silent dialogue with nature, drawing inspiration from the tranquility of their surroundings while revisiting and reinterpreting the landscapes of their Middle Eastern heritage.

Throughout the residency, I observed the dynamic artistic processes of both participants. Iman Hasbani immersed herself in a silent yet profound creative conversation with the forest, translating this interaction into visually captivating works that reflect a harmonious relationship between the self and the natural world. In contrast, Ola Zaitoun explored themes of spatial density and environmental tension, juxtaposing the crowded atmosphere of her hometown with the expansive, open landscape surrounding her in Csókakő. Her work posed poignant questions about space, place, and the relationship between form and emptiness.The residency culminated in two exhibitions: one at the historic Károlyi Palace and another in Budapest, both of which showcased the transformative experiences and creative outputs of the artists. These exhibitions resonated deeply with Hungarian audiences, fostering dialogue and understanding between different cultural and historical perspectives.

This residency was not just about art creation—it was about building human connections and fostering shared cultural narratives through visual storytelling. The collaborative energy and exchange between the artists enriched their practices and allowed them to delve into new dimensions of artistic expression.

I firmly believe that this creative residency will leave a lasting impact, not only on the participating artists but also on the audiences who experienced the exhibitions. It highlighted the potential of art to transcend borders, connect diverse identities, and communicate universal themes of belonging, resilience, and hope.

Abed Abdi
Visual Artist and Chief Curator
From Right to left: Dr. Mohammad Abu Naga (Cario based artist and curator) Prof. Hasan Al Sayed (Head of the Arab community in Hungary), Abed Abdi (Palestinian visual artist and chief curator), Ola Zaitoun (visual artist), Iman nHasbani (conceptual artist), Dr. Munir Aissa (Journalist)
With chief curator Abed Abdi
Hiking in nature
Hiking in nature

III. Exhibition Venues

Exhibition poster in English
Exhibition poster in Hungarian
Exhibition poster in Arabic

KÁROLYI PALACE

Gallery at Károlyi Palace, Fehérvárcsurgó: 23-26 August 2024

HOTEL MAMAISON

Hotel Mamaison Residence Izabella Budapest 29 August
Exhibition poster in English
Exhibition poster in Hungarian
Exhibition poster in Arabic
On a visit to Budapest Vajdahunyad Castle
On a visit to Budapest Vajdahunyad Castle
Hiking in nature around the Art Colony

IV. REFLECTIONS BY OLA ZAITOUN

Art Colony in action: Ola Zaitoun creating art at the Art Colony, August 2024

My application for this residency program at the International Art Colony in Csókakő village, Hungary, came at an especially extraordinary time – during the ongoing violent conflict in my homeland. As an artist, I found solace in nature’s serene embrace, which helped me navigate the somber atmosphere of fear and anxiety brought about by the war.

As a Palestinian woman born in Israel, I inhabited a complex political landscape where issues of identity served as a primary driving force behind my artistic expression. My artistic journey was shaped by continuous movement between Israel and the West Bank, where I pursued both academic and creative endeavors. From earning a Master of Fine Art degree at the University of Haifa in 2017 to receiving the prestigious Mifaal Hapaies Award in 2021 for an art project within Israel’s Arab community, and exhibiting at prominent venues like the Janco Dada Museum in 2022, my experiences highlighted the multifaceted nature of my practice. My dedication to preserving Palestinian cultural heritage became evident through my studies in conservation and restoration of paintings at Dar Al Kalima University in Bethlehem, along with recognitions such as the Palestinian Young Artist of the Year Award in 2018. My participation in numerous group exhibitions in Ramallah further reflected my commitment to exploring themes of memory, identity, and societal dynamics.

During my time at the International Art Colony, working outdoors was a transformative experience, as I typically create indoors. I also challenged myself by using much larger canvases than usual. 

The natural surroundings, particularly the abundance of trees laden with unpicked fruit, were a constant source of inspiration. During the residency at the International Art Colony, I embraced the opportunity to immerse myself in a new cultural environment, explore unfamiliar landscapes, engage with fellow artists, and delve deeper into the creative process. Each experience allowed me to grow artistically and reveal new dimensions of my identity through my work.

Ola Zaitoun
Visual Artist
Printmaking workshop
On a visit to Bodajk
Printmaking workshop

V. REFLECTIONS BY IMAN HASBANI

Iman Hasbani breathing video installation at Gaja valley nature reserve, August 2024

The Great Green: “The Forest”

A time beyond the limits of time— I do not hear my voice in the forest, even when the forest is freed from the hunger of the beast, and the defeated or victorious army returns. It makes no difference whether the remains of the unknown dead are taken to the barracks or to the throne. And I do not hear my voice in the forest, even when the wind carries it to me and says: “This is your voice.” I do not listen. I do not hear my voice unless the forest is empty of me, and I am free from the silence of the forest.

From Mahmud Darwish’s poem “In the Forest”

لا أسمعُ صوتي في الغابة , حتى لو
خَلَتِ الغابةُ من جوع الوحشِ…
وعاد الجيش المهزومُ أو الظافرُ , لا فرق, على أشلاء الموتى المجهولين إلى الثكَنات
أو العرشِ

ولا أسمع صوتي في الغابة ، حتى لو
حملته الريحُ إليَّ ، وقال لي :
هذا صوتُكَ … لا أَسمعُـهُ

لا أسمع صوتي في الغابة ، حتى لو
وقف الذئب على قدمين وصفَّق لي :
إني أسمع صوتك ، فلتَأْمُرْني! /
فأقول : الغابةُ ليست في الغابة
يا أَبتي الذئبَ ويا ابني ! /
لا أَسمع صوتي إلاّ إنْ
خَلَتِ الغابةُ مني
وخلوتُ أنا من صمت الغابة !

There is a long and intimate relationship between man and the forest. It stretches from the dawn of humanity to the present day, leaving its mark on the inner world of man. The forest has inspired writers, poets, artists, and psychologists alike.

Often portrayed as a sacred place or as a symbol of the deeper recesses of the unconscious, the forest holds a special place in human imagination.

Some forests are revered, like those once inhabited by the gods of the arts and sciences on Mount Parnassus, or the sacred oak grove of Dodona in Epirus, the ancient sacred oracle of the Greeks. As Dr. Mounir Touma explains in one of his articles on the symbolism of the forest in art, the path through the dark forest is a test of courage and endurance.

For many, the forest is an unknown place, but also a refuge, where one can hide from prying eyes and pursuers. It has often been a path for refugees in search of a safe haven. Yet, the forests of modern narratives are full of stories of death and loss. Many refugees have lost their lives in the labyrinths of foreign forests, such as those in Bulgaria, Belarus, and Poland—Poland with its endless expanses, rugged geography, and swamps. Many seekers have lost their lives in these forests, searching for new hope.

What Does the Forest Mean to Me?
As a contemporary artist, I see nature, especially the forest in its silence, strangeness, and wildness, as a profound source of inspiration for my artwork. It is a green space—vast yet narrow, deep yet towering. I am drawn to it because it is a world open to many interpretations, a realm separated from reality beyond its boundaries, filled with obsessions and unknown phenomena. It is as if, in a dream, I lose my geographical compass and think only of myths, of gods and their struggles with nature, and of the stories of refugees and their fight to survive in the forests.

As an artist living in an art colony, surrounded by nature and dense forests, I have tried to express these themes through drawing, painting, and video art. In my work, I have sought to raise many questions about the concept of sensual identity, which I believe is a crucial part of individual identity—much like the meaning the forest holds for me. 

IMAN AL HASABANI (HASBANI)
Conceptual Artist
Iman Hsabani creating art at the Art Colony August 2024
Iman Hasbani standing infrot of her exhibited artworks at Károlyi Palace
Iman Hasbani in Budapest
Iman Hasbani In the Forest of Gaja Valley.
Iman Hasbani standing infront of the led wall showcasing her video at Károlyi Palace
Art Colony in action
On a visit to Budapest, with Palestinian theater producer Nizar Khamra
On a visit to the garden of Philosophy

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